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A worthy film that truly does justice to the experience of true horror, never fully seen or explained but deeply felt. When you leave the film you can say little upon immediate reflection, but everyone clearly felt a sense of awe (albeit mired in uneasiness) and silent contemplation at what they experienced. I had the good fortune of viewing this film at a festival with a number of other people. This movie succeeds in projecting some of the harshest realities of genocide its at the very least a cautionary tale.
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The most gut wrenching of moments are never fully in-focus and are always just off to the side or edge of the viewer's field of vision. Saul Auslander (Geza Rohrig) toils under brutal conditions as a member of the Sonderkommando, the slave workers forced to clean out the crematoriums after the gassing of Jewish victims by the Nazi monsters. This is likely by design to capture the devastating de-humanization of life in a concentration camp. Review: French artist JR reveals the faces behind the walls and. You barely remember the faces of the individuals in the movie, but cannot shake the visceral and personal experience of the film. The film 'Son of Saul,' set in the Auschwitz-Birkenau Nazi death camps in 1944, is an unwavering vision of hell. The film is oddly not really about the characters, despite the intense usage of POV or over shoulder camera work. This film does not disappoint as a worthy addition. Many excellent films have dealt with the heavy subject matter of Son of Saul. The camera is his companion, it stays with him throughout this hell. Saul Auslnder (Gza Rhrig), a member of the camp's privileged Sonderkommando, doggedly tries to find a resting place for a dead boy amid its horrors. The film is a journey into one of humanity's darkest hours. A good portrayal of the Holocaust only let down by the lead actor, who shows no emotions at all, even after discovering the. Staying with Saul means not going beyond his own field of vision, hearing, or presence.